{"id":1124,"date":"2017-11-10T12:15:29","date_gmt":"2017-11-10T11:15:29","guid":{"rendered":"http:\/\/www.bijt.org\/wordpress\/?p=1124"},"modified":"2017-11-10T14:52:44","modified_gmt":"2017-11-10T13:52:44","slug":"tabita-rezaire-lecture-and-screening-5-oct-2017","status":"publish","type":"post","link":"https:\/\/www.bijt.org\/wordpress\/2017\/11\/10\/tabita-rezaire-lecture-and-screening-5-oct-2017\/","title":{"rendered":"Tabita Rezaire Lecture and Screening, 5 Oct. 2017"},"content":{"rendered":"

Together with colleagues\u00a0Koen Leurs and Domitilla Olivieri I organized a\u00a0Lecture and Screening<\/a> with media artist\u00a0Tabita Rezaire<\/a>, on Oct. 5 2017 in Parnassos Utrecht.<\/p>\n

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Tabita Rezaire PCI: Lecture and Screening<\/h1>\n
In this PCI screening, we have the great honour and privilege to have with us the artist Tabita Rezaire, who will introduce, show and discuss her video work for an hour, followed by a 30 minute Q&A session. We end with drinks.\u00a0<\/span>The session is titled Decolonial trinity: technologies of the spiritual, erotic and politics.<\/div>\n
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This event is co-organized by Koen Leurs, Domitilla Olivieri and Michiel de Lange as part of a collaboration between the Postcolonial Studies Initiative and Co.Laborations, the Expertise Centre of Utrecht University\u2019s Department of Media and Culture.\u00a0<\/span><\/div>\n

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Tabita Rezaire<\/strong><\/u><\/u><\/div>\n
Tabita Rezaire (see: link<\/a>) is a French \u2013 of Guyanese and Danish descent \u2013 video artist, health-tech-politics practitioner, and Kemetic\/ Kundalini Yoga teacher based in Johannesburg. Tabita\u2019s practices unearth the possibilities of decolonial healing through the politics of technology. Navigating architectures of power \u2013 online and offline \u2013 her work tackles the pervasive matrix of coloniality and its affects on technology, sexuality, health and spirituality.<\/div>\n
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Through screen interfaces and energy streams, her digital healing activism offers substitute readings to dominant narratives decentering occidental authority and preaches to dismantle our oppressive white-supremacist-patriarchal-cis-hetero-globalized world screen.<\/div>\n
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Tabita is a founding member of the artist group NTU, half of the duo Malaxa, and mother of the house of SENEB. She is represented by the Goodman Gallery in Johannesburg.<\/div>\n
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In 2016, Tabita was a resident at the Utrecht Impakt Festival (see: link<\/a>).<\/div>\n
<\/div>","protected":false},"excerpt":{"rendered":"

Together with colleagues\u00a0Koen Leurs and Domitilla Olivieri I organized a\u00a0Lecture and Screening with media artist\u00a0Tabita Rezaire, on Oct. 5 2017 in Parnassos Utrecht. Tabita Rezaire […] Read More<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":1125,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"mf2_syndication":[],"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"_share_on_mastodon":"0"},"categories":[6],"tags":[189,188,187],"class_list":["post-1124","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-meetingsevents","tag-media-art","tag-screening","tag-tabita-rezaire"],"share_on_mastodon":{"url":"","error":""},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.bijt.org\/wordpress\/wp-content\/uploads\/2017\/11\/IMG_20171005_173407_crop1.jpg","jetpack_shortlink":"https:\/\/wp.me\/peQgW-i8","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.bijt.org\/wordpress\/wp-json\/wp\/v2\/posts\/1124","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.bijt.org\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.bijt.org\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.bijt.org\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bijt.org\/wordpress\/wp-json\/wp\/v2\/comments?post=1124"}],"version-history":[{"count":2,"href":"https:\/\/www.bijt.org\/wordpress\/wp-json\/wp\/v2\/posts\/1124\/revisions"}],"predecessor-version":[{"id":1135,"href":"https:\/\/www.bijt.org\/wordpress\/wp-json\/wp\/v2\/posts\/1124\/revisions\/1135"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.bijt.org\/wordpress\/wp-json\/wp\/v2\/media\/1125"}],"wp:attachment":[{"href":"https:\/\/www.bijt.org\/wordpress\/wp-json\/wp\/v2\/media?parent=1124"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.bijt.org\/wordpress\/wp-json\/wp\/v2\/categories?post=1124"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.bijt.org\/wordpress\/wp-json\/wp\/v2\/tags?post=1124"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}